{"id":3332,"date":"2012-12-07T12:10:30","date_gmt":"2012-12-07T12:10:30","guid":{"rendered":"http:\/\/www.komedija.hr\/web\/?page_id=3332"},"modified":"2013-01-14T09:53:00","modified_gmt":"2013-01-14T09:53:00","slug":"operetni-express-2-013","status":"publish","type":"page","link":"https:\/\/www.komedija.hr\/www\/repertoar\/operetni-express-2-013\/","title":{"rendered":"Operetni express 2 013"},"content":{"rendered":"

Vid Balog \u2013 Kre\u0161imir Batini\u0107<\/p><\/blockquote>\n

Tradicionalna Komedijina Silvestarska no\u0107 ove je godine, oboru\u017eana\u00a0 vedrinom,\u00a0 spremna otputovati ekspresnim vlakom u novu 2013.\u00a0godinu. Puna kompozicija operetnih arija, dueta i terceta raspjevanog\u00a0 i rasplesanog ansambla\u00a0 Komedije, punom parom kre\u0107e u\u00a0 nju. Ako ho\u0107ete s nama, ne \u010dasite ni \u010dasa!\u00a0 Putujemo prvim razredom (neg\u00b4 kak\u00b4!) preko Budimpe\u0161te do Be\u010da i dalje po Europi s prvoklasnim operetnim programom! A kako bi od iduceg ljeta u toj Europi trebali i slu\u017ebeno biti, napunit \u0107emo kov\u010dege na\u0161ih nadanja smijehom, pjesmom i plesom. (Radosti i vedrine pri nas v Komediji fala Bogu jo\u0161 uvek ima!). Od srca se preporu\u010duje\u00a0 dobro ohla\u0111en \u0161ampanjac, koji se sa svime sjajno sljubljuje! Vi sa svoje strane, za putovanje koje nam predstoji., trebate pripremiti\u00a0 samo dobru volju i vedar duh. Operetni express 2\u00a0 013 polazi\u00a0 s kolodvora Kaptol, peron Komedija. Kupite na vrijeme kartu i bezrezervno si\u00a0 rezervirajte\u00a0 \u0161to bolja mjesta za vlak\u00a0 u sretnije i ljep\u0161e novo ljeto 2013.!<\/p>\n

Dirigent: Kre\u0161imir Batini\u0107<\/a>
\nRedatelj: Damir Lon\u010dar<\/a><\/p>\n

Sandra Bagari\u0107<\/a>, Vlatka Buri\u0107<\/a>, Zorica Antoni\u0107<\/a>, Mila Elegovi\u0107<\/a>, Jasna Pali\u0107 Picukari\u0107<\/a>, \u0110ani Stipani\u010dev<\/a>, Tvrtko Stipi\u0107, Ervin Bau\u010di\u0107<\/a>, Adalbert Turner<\/a>, Vid Balog<\/a>, Igor Me\u0161in<\/a>,\u00a0Damir Lon\u010dar<\/a><\/p>\n

Orkestar, zbor i balet Kazali\u0161ta \u201eKomedija\u201c<\/p>\n

Pro\u010ditajte tekst Davora Schopfa iz repertoarne knji\u017eice:\u00a0<\/strong><\/p>\n

Opereta! Potoci pjenu\u0161ca, neprestani vrtlog valcera, rugaju\u0107i kupleti, u\u0161tirkane uniforme, blje\u0161tave toalete, zanos i ples! Radost i bezbri\u017enost, naki\u0107enost i sentimentalnost. Sladunjavost i pla\u010dljivost? Melodiozna glazba iznad svega!<\/p>\n

Opereta se, kao zasebna kazali\u0161na vrsta, razvila sredinom 19. stolje\u0107a u Parizu i Be\u010du. Dvojicu njezinih prvih velikih majstora, Herv\u00e9a i Franza von Supp\u00e9a, zadesila je sli\u010dna sudbina. U samo nekoliko godina istisnuli su ih Jacques Offenbach i Johann Strauss ml. Offenbach je imao najve\u0107i utjecaj na Supp\u00e9a i Straussa. Unato\u010d uzoru u pari\u0161kim libretima i francuskoj formalnoj strukturi, Supp\u00e9 i Strauss svojom glazbom u kratko vrijeme stvaraju osebujan i autenti\u010dan be\u010dki operetni stil. Ra\u0111a se \u00a0zlatno razdoblje<\/em> be\u010dke operete. Po\u010dev\u0161i \u2013 kako joj ime govori \u2013 kao mala opera, operetta<\/em> je najprije oblikovana samo u jednom \u010dinu. Zatim se razvija, a tipski na\u010din sklapanja ugovora izme\u0111u be\u010dkih kazali\u0161ta i tamo\u0161njih operetnih libretista, uz ugovorenu naknadu po \u010dinu, dovodi do toga da se be\u010dke operete uglavnom sastoje od tri \u010dina.<\/p>\n

Johann Strauss ml. potje\u010de iz glazbene obitelji. Njegov otac, Johann Strauss st., dao je plesnoj formi valcera kona\u010dan, klasi\u010dan oblik. Najpoznatiji je, pak, po jednoj kora\u010dnici, posve\u0107enoj \u010de\u0161kom plemi\u0107u i austrijskom feldmar\u0161alu Josefu Radetzkom \u2013 to je Radetzky-Marsch<\/em><\/strong>, op. 228. Johann ml. imao je starijega brata Josefa i mla\u0111eg Eduarda. Svi su skladali plesnu glazbu. Najmanje sre\u0107e imao je Eduard, a njegov je prvi uspjeh brza polka-galop Bahn frei!<\/em><\/strong> (Sklanjaj se s puta!<\/em>). Johann ml. stvorio je razvijen tip orkestralnog valcera s duljim uvodom, \u010desto druga\u010dijega ritma i melodijskog materijala, na koji se nadovezuje valcer s efektnom i razra\u0111enom kodom. Jedan od najpoznatijih je Kaiser-Walzer<\/em><\/strong> <\/em>(Carski valcer<\/em>), op. 437, skladan, pod naslovom Ruka u ruci<\/em>, za susret dvojice careva \u2013 austro-ugarskog Franje Josipa i njema\u010dkog Vilima II. u Berlinu \u2013 kao zdravica prijateljstvu dviju zemalja. Poslije 1870. godine Johann ml. posvetio se opereti. Napisao ih je \u0161esnaest, a jo\u0161 petnaest nastalo je prema njegovim motivima. S njegovim \u0160i\u0161mi\u0161om<\/em><\/strong> <\/em>be\u010dka je opereta dosegnula vrhunac. Naslov toga djela simbolizira i odre\u0111uje \u010ditav \u017eanr, pru\u017eaju\u0107i ujedno njegove najbolje trenutke.<\/p>\n

Glazba obitelji Strauss u be\u010dkim plesnim dvoranama te u kazali\u0161tima operete Supp\u00e9a, Straussa, Karla Mill\u00f6ckera, Carla Zellera i drugih, a i samog Offenbacha, ispunjaju zadnja desetlje\u0107a 19. stolje\u0107a. Uz Be\u010d i Pariz, va\u017enim sredi\u0161tima operete postaju Berlin, London i Budimpe\u0161ta, ali i mondene austrijske toplice Bad Ischl. Ni Zagreb ne zaostaje u zanimanju za operetu. Opojna zabava donosi, barem nakratko, zaborav od svakodnevnih svjetskih i osobnih problema. U zadnjih nekoliko godina 19. stolje\u0107a umiru svi be\u010dki majstori. Offenbachova kritika dru\u0161tva i njegove satiri\u010dke strelice otupjele su. Koja li je od njegovih stotinjak najrazli\u010ditijih opereta najbolja, te\u0161ko je odgovoriti. Zanimljivo je da popularna uvertira Orfeja u podzemlju<\/em><\/strong>, sa svojim kan-kanom, nije izvorna. Na Offenbachove teme skladao ju je dirigent Carl Binder, prigodom be\u010dke produkcije 1860.<\/p>\n

Nakon zlatnog razdoblja<\/em>, do\u0161lo je vrijeme za nov nara\u0161taj \u010dija su djela sentimentalnija i stilski bli\u017ea zabavnoj glazbi. U prvom su planu dvojica \u00a0majstora, Austrijanac ma\u0111arskog podrijetla Franz Leh\u00e1r i Ma\u0111ar Imre (Emmerich) K\u00e1lm\u00e1n. Leh\u00e1r obnavlja vitalnost operete. Postaje vode\u0107i operetni skladatelj 20. stolje\u0107a, na \u010dijem se po\u010detku, 1905., javlja s prvim uspjehom \u2013 Veselom udovicom<\/em><\/strong>. Do uspjeha Zemlje smije\u0161ka<\/em><\/strong> u Berlinu 1929. velik je vremenski raspon ispunjen i drugim uspje\u0161nim djelima koja mu donose najve\u0107e bogatstvo me\u0111u operetnim skladateljima, za \u017eivota, ali i poslije smrti. Me\u0111u prvima je, naime, iskoristio blagodati autorskih prava koja se po\u010dinju regulirati u to vrijeme. K\u00e1lm\u00e1n po\u010dinje koju godinu kasnije, najprije na ma\u0111arskim pozornicama, dok Be\u010d osvaja Kneginjom \u010darda\u0161a<\/em><\/strong> i Groficom Maricom<\/em><\/strong>. Iako su obojica po\u017eivjela i nakon Drugoga svjetskog rata, njihovo stvaranje traje do po\u010detka 1930-ih, \u0161to je ujedno i srebrno razdoblje<\/em> be\u010dke operete.<\/p>\n

Nakon toga opereta se po\u010dinje preoblikovati u ne\u0161to drugo. Netko \u0107e re\u0107i da se razvodnila u razne revije, glazbene komedije, music hall<\/em> i sl. Asimilirala je nove plesne i jazz<\/em> ritmove te se tako pretopila u novu formu \u2013 mjuzikl. Ujedno su se razvile i oja\u010dale filmska i glazbena industrija. U desetlje\u0107ima poslije Drugoga svjetskog rata filmski ekranizirani mjuzikli postaju posebna atrakcija, dok se na kazali\u0161nim pozornicama zaokru\u017euje forma klasi\u010dnog mjuzikla, te razvijaju pop-opere i rock-opere.<\/p>\n

A sve je po\u010delo ofenbahovskim vodviljima i burleskama, kan-kanom, obiljem valcera, egzoti\u010dnim odredi\u0161tima, ljubavnim zapletima i nepremostivim preprekama me\u0111u zaljubljenima iz razli\u010ditih dru\u0161tvenih stale\u017ea koji se, na \u010dudesan na\u010din, kada se izglade nesporazumi, na kraju tre\u0107eg \u010dina napokon sjedine u happy endu<\/em>. Ili mo\u017eda ipak ne, kao u sjetnom zavr\u0161etku Leh\u00e1rove Zemlje smije\u0161ka<\/em>. A sve uz nezaboravne melodije, \u0161arm i zabavu. To je opereta!<\/p><\/blockquote>\n

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<\/span> <\/div><\/code><\/code><\/p>\n","protected":false},"excerpt":{"rendered":"

Vid Balog \u2013 Kre\u0161imir Batini\u0107 Tradicionalna Komedijina Silvestarska no\u0107 ove je godine, oboru\u017eana\u00a0 vedrinom,\u00a0 spremna otputovati ekspresnim vlakom u novu<\/p>\n","protected":false},"author":4,"featured_media":3445,"parent":10,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-3332","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.komedija.hr\/www\/wp-json\/wp\/v2\/pages\/3332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.komedija.hr\/www\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.komedija.hr\/www\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.komedija.hr\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.komedija.hr\/www\/wp-json\/wp\/v2\/comments?post=3332"}],"version-history":[{"count":0,"href":"https:\/\/www.komedija.hr\/www\/wp-json\/wp\/v2\/pages\/3332\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.komedija.hr\/www\/wp-json\/wp\/v2\/pages\/10"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.komedija.hr\/www\/wp-json\/wp\/v2\/media\/3445"}],"wp:attachment":[{"href":"https:\/\/www.komedija.hr\/www\/wp-json\/wp\/v2\/media?parent=3332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}